Forget cold hard crime, Cozy is just as thrilling

There was a lovely piece in the Sunday Independent in Ireland by Anne Marie Scanlon about cozy crime last weekend, describing it as the perfect way to ‘banish the bleaks’ of the cold winter months.

A CLEAN CANVAS is described as ‘the second of a, hopefully long, series featuring Lena Szarka, a Hungarian cleaner and amateur detective by Elizabeth Mundy.’ Scanlon compares Lena Szarka to Agatha Raisin: both are ‘formidable and funny women who like men’.

Get your own dose of warming cozy crime here, or if you’re still to be convinced you can read the full article here.

IN STRANGERS’ HOUSES reviewed on Reviewing the Evidence

There’s a very insightful review from Larissa Kyzer on Reviewing the Evidence. She describes IN STRANGERS’ HOUSES as “the perfect of-our-moment set-up that would be compelling even if it weren’t for the crime plot”.

“As a rule, the fundamental premise for most mystery series featuring an amateur detective is a shaky one. After all, elderly spinsters, small town librarians, and mystery authors don’t generally live the kind of lives that lead them to get mixed up with one violent crime, let alone many. This, then, is one of the fundamental delights of Elizabeth Mundy’s debut IN STRANGERS’ HOUSES: her protagonist—the plucky and ambitious Lena Szarka—literally goes through other people’s dirty laundry for a living.

Lena is a Hungarian cleaner in London, living a version of that all-too-common and none-too-glamorous immigrant experience. Namely, she works exhausting hours at an unskilled, low-paying job while living with multiple roommates and dreaming of the day that she’ll finally get a foothold in her adopted home. Add to that the fact that she’s an Eastern European in post-Brexit London, forced weather all manner of oblique microagressions and blatant discriminations (“You’re Romanian, too, aren’t you? You come here to beg”), and you have the perfect of-our-moment set-up that would be compelling even if it weren’t for the crime plot.” Read more

 

How to create a heroine for our time – Writers & Artists

Before I even started writing my first murder mystery novel, I knew I wanted a strong woman as my heroine. I was sick of female victims suffering and femmes fatales seducing. I wanted a modern woman solving crimes.

So I was delighted to be asked to write a piece about creating a strong, modern heroine for the Writers & Artists website.

Read the full article here.